Arhitektide Liit

© 2008—2017

Estonian Exposition at the Venice Biennale of Architecture: Gas Pipe

Location: Giardini, Venice, Italy (map)
Client: Union of Estonian Architects
Size: 63 m
Competition: 2008, 1st prize
Design: 2008
Completed: 2008
Competition team: Maarja Kask, Ralf Lõoke
Implementation team: Maarja Kask, Ralf Lõoke, Neeme Külm, Ingrid Ruudi

Annual Architecture Award of the Architecture Endowment of the Cultural Endowment of Estonia 2008.
Annual Award of the Cultural Endowment of Estonia 2008

The Estonian exposition, entitled „The Gas Pipe“ addresses various issues of the contemporary spatial organization and developments in landscape. The exposition focuses on a large-scale public space installation in the Giardini park. Along one of the main pedestrian avenues, in between the pavilions of Russia and Germany, a 60m section of real scale elevated gas pipe was erected. The project is inspired by a controversial enterprise of Nord Stream, a Gazprom initiative to build a direct gas pipe from Russia to Germany. The initial project of Nord Stream to build the pipeline into the Baltic Sea has been widely contested from ecological as well as geopolitical positions. Voices rose to persuade building a mainland gas pipe instead but the real outcome of the project is still unclear. In either case, the pipe has a special position and effect in the Baltic Sea region as well as being part of an omnipresent, ever-expanding network of gas pipes and other infrastructure objects – the border-transgressing power lines of the contemporary world.

In accordance with the general outline of this year’s biennale, the installation does not posit solutions but will rather question reality, posing and framing problems concerning mechanisms determining the contemporary physical environment. The installation highlights the spatial dimension of politics and the political dimension of architecture. In addition, it will also address the reality of contemporary landscape more and more defined by large-scale infrastructure and intermingling of the technological and the natural. It raises the question of architect’s position and role in relation to power, the possibility for critical architecture as such. In addition it will touch the issues of the future of energy; constructing the notions of beauty and ugliness, etc. In spite of Biennale and the like institutions and events, presenting the Sunday side of architecture, the reality of the environment surrounding us depends on a lot of other factors beside the creative intentions of the architect such as economic objectives, political decisions and deals, various norms, standards and regulations. At the same time, the installation works as a powerful piece of public space sculpture – it confronts the viewer unexpectedly as a tangible, inescapable and massive real thing, inviting numerous multi-layered interpretations.